A long revision of one of the South Coast’s most disreputable historical characters
What was going on at Albany between
Jan 1835 & Dec 1836
Continued from Part 2c
Cheyne, Albany and settler/official conflict

Above: A sketch of Albany village dated July 1834 looking West from the position of Cheyne’s Cottage toward the old military compound where Alexander Collie lived between March 1831 and November 1832. It is not known who made the drawing but it corresponds with the recent arrival of the James Pattison and gives clear indication of the scene those new settlers will have met. Given the position of the view, the inclusion of near Aboriginal figures and the proximity of what appears to be Cheyne’s cottage, the artist may have been Alexander Cheyne. Source: Garden (Pg.46).
All those of notable position at the Swan River, and at Albany and Augusta, if not already, quickly became known to each other. They were all there to make their fortune, not lose it, and of course shared a collective interest in their general prosperity.
When, at Albany during the second half of 1834, Cheyne realised the extent of his predicament, he had no choice but to do everything in his power to stop from going under. He had bought in wholesale and had to fight to stay afloat and if that meant running up against officials, he would. The stakes were too high, and on matters he thought he could influence was not accepting ‘no’ as an answer. This explains the gathering and lodging of the petition at his cottage, but it is likely knowledge of Stirling’s position regarding labour, along with his bloody-minded resentment of Spencer, which overcame any resistance to the publication of that petition.





Above: Albany’s waterfront precinct cut from 
